Eric Yoshiaki Dando (born July 1970), is a Melbourne writer, best known for the cult novel snail (Penguin, 1996), although his short fiction has appeared in many literary magazines and anthologies, including Hot Type (Penguin, 1995), Hot Sand (Penguin, 1996), The Age (Melbourne), Best Australian Stories, the Sleepers Alamanac, Going Down Swinging, Cordite, Undergrowth, Verity La, The Diamond & the Thief, Red Leaves / 紅葉, Torpedo and The Lifted Brow. His most recent novel titled Oink, Oink, Oink: is a surreal, black comedy that plays with themes from science fiction, popular culture, consumerism, and genetic engineering. It was published by Hunter Publishers in October 2008, and reissued online as an Ebook through Smashwords in May, 2011.
Currently, Snail is out of print, despite being voted in a 2010 Penguin Poll as one of the Top 100 books. The poll was officially conducted by Penguin Books via their Facebook page in which Australian fans were asked to vote for their favourite Penguin Books book of all time.
Snail explored themes of madness, suicide, and drugs. It is a darkly humorous novel, but one which is undeniably positive and optimistic rather than glorifying the grunge genre of which it is a part.
'Printed entirely in lower case, the book seems to present a challenge to the reader - to make it through without being driven mad by the deliberate feyness of lower case.' - Tegan Bennet, 1996.
'Dando writes, 'jokes are always needed', and jokes - mostly good jokes - are his book's mainstay.' - Australian Book Review, 1996.
'Refreshingly, Dando's philosophical approach appears to derive from the Renaissance tendency to view the human soul or psyche as having an analogical relationship with the natural world...' - Philosopher Magazine, 1996.
In 2008, Oink, Oink, Oink was also featured on ABS's First Tuesday Bookclub show with many positive comments which further defined Dando's novels as having a cult following.
'Imagine Woody Allen and Chuck Palahniuk programming a festival for your brain... Part satirical horror, part spooky speculative fiction, a savagely funny critique of consumer-driven society.'— The Big Issue, Australia
'Vonnegut meets Orwell in Oink, Oink, Oink…a droll and unsettling nightmare of a book.'— The Age, Melbourne.
'This black little fable begins with one of the best opening sentences I've seen lately, something that could sum up an entire generation's understanding of 20th-century world history.'— Sydney Morning Herald
'Oink is futuristic, zany, black, surreal.'— The Sunday Age, Melbourne
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